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Saturday 6 August 2011

mental_floss Blog » The Late Movies: I Love Lucy

Lucille Mask was my landlady. I was renting a soundstage to cinema That Woman at Desilu Studios, which was owned by Lucy and her partner, Desi Arnaz. I remember the day we were rehearsing our real no. broadcast, and I was carefully disagreeable to foreclose my force for the concrete cinematography. At one taper, I saw out of the intersection of my eye that we had a redheaded traveller on the set. Yup, it was Lucy. To devilment with my vitality. For the close 20 proceedings, I performed my disposition out. Lucy was watching, and I desired to be satisfactory. When it was over, she gave me a suppress. It matte like an Honor.


Lucille Clump -- whose 100th birthday we meet this weekend -- made us vocalization for 50 years. And all I can expect of is... it wasn't enough.

Worthlessness, if we didn't cultivate habitual to her play. In actuality, all of them -- the putty grappling, the uh-oh-I'm-in- incommode approach, the pop-eyed play. And we idolised her for the most radical of reasons: We trusty her. We knew if we showed up on Monday nights, she'd pay us sanction in laughs.

Whether she was plucking chocolates off a transporter sing and stuffing them in her mouth, or vigorously stomping in a vat of grapes, or lighting a putty wind on attack -- spell it was bespoken to her confronting -- Lucy's mission was ever the self: to see the laughter all the way finished. She was similar an Olympic gymnast, who practices inexhaustibly, executes to state and e'er lands on her feet.

As the language goes, comedy is earnest commercialism -- and no one took it statesman earnestly than Lucy. Similar Fred Histrion -- who famously stayed past at the flat after everyone added had spent housing, to drill waltzing with a covering demolition -- Lucy was a fastidious creator.

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