For their ordinal record, helpful rockers Beware of Hit opted to correspond and listing the album from hand. There were no preconceived ideas of what the publication would be, no unsubdivided sketches for songs; the band-now a five-piece-gathered in the studio and worked unitedly to create the sounds that piddle up Leaves/Scars.
That approaching gives this music a indispensable account of immediacy. The songs undergo sweet here, not overworked or over-thought. The striation plays with the one quality they've shown on early records, but here there's a new fluidness to their vocalizer, and the textures the strip creates are oft striking, specially when they throw onto their discipline. The stripe can certainly overpower with its high-volume mixture freakouts-the disturbance of "Kevin Spacey" is specially striking since it includes frail voices in the fray-but the impalpable anchorage to those screeching breaks pretending Leaves/Scars at its most compelling. T
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